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Saw this new spot on Creativity – which is a beautiful, balletic, majestic, dog-loving extravaganza.

This is the write up on creativity:

Playing catch the Phantom Camera way.

Director Bob Purman used a Phantom camera at 1,000 fps to capture these expressive canines in action.

The director was initially charged with shooting two spots, a “Catch” and a “Jump” execution. The director says: “The ‘Catch’ spot was to be a series of shots of dogs looking with anticipation as a piece of dog food is flying through the air towards them. We shot close-ups of the dogs at 1000 fps. The result was really wonderfully anthropomorphic. The super slow motion really captured this intense sense of desire in the dogs’ eyes. To me it was equal parts awe inspiring and hilarious to see so rich a palate of personality in a dog’s facial expressions. A few days after the shoot I started to get emails from Mark, Steph and the editor Chris Parkins with the different iterations of the spots cut to different music selections, all of them interesting for different reasons. But then they put footage from the two spots together to form this new greater whole that really exploits the dynamics of the dogs’ athleticism and their emotive personality in slowed time.”

So I searched YouTube to see if I could find it there – and found the two “Catch” and “Jump” executions, which come with very different music and a voiceover to boot… Have a watch and decide for yourself what you think might be more effective, but I’m touched by the long format piece without the VO and I’m left feeling like I’m watching something far less memorable, far less extraordinary, far less motivating when I watch the two shorter, VO’d ones.

It’s rare that we see that sort of comparison outside of a personal project, so it’s rare to be able to view them without having an innate bias. But, for me, this is a lovely craft skills comparison – we often kid ourselves that the “message won’t get in the way” and that creatives are being “arty rather than commercial” but all these little differences in music, in timing, in purity all add up.


Meanwhile, in a different country (since the above’s all going on in Canada), Pedigree are doing more great work to help Shelter dogs… If you’re not in the US, you can see it by going to the cached page on Google

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  • Seb

    It's just a bit disappointing than the creative idea behind it is already 4 years old…

    http://www.youtube.com/watch#playnext=1&playnex…

  • http://www.simon-law.com/ Simon

    Wow – truly is.
    Although this goes back to the question of primacy vs. application… I'm in the application camp – you don't have to be the very first to use something – particularly when it's a technique, rather than a concept – you have to be the first to use it in the area/for the reason/with this exposure/etc…
    I'm not advocating that we admire people who rip off work from other artists. But I'm not sure it's always black and white.

    S.

  • Seb

    It's just that, in my humble opinion, the music video from Vitalic is better executed than the Pedigree ads (better effects but most of all better dogs for slo-mo shooting).

    While I really like the ads and am sure they're gonna cut through (99.99% of people not knowing the original video), I regret the fact that the creative minds behind Pedigree's new campaign didn't add anything extra to the original idea. Seems more like they used Vitalic's video as a creative shortcut (hey look, this thing I just found on YouTube could work great for our client – let's do EXACTLY the same) rather than simply as an inspiration for something slightly different.

    But who am I to talk about that?? I'm just a planner…

  • Danny

    Don't understand how it's creative when it is basically the Vitalic video from 4 or 5 years ago.

    http://www.youtube.com/watch?v=nZb_mkW7Pc0

  • Danny

    Don’t understand how it’s creative when it is basically the Vitalic video from 4 or 5 years ago. nnhttp://www.youtube.com/watch?v=nZb_mkW7Pc0